God Gets Physical

John 1:1-14

This past week, NASA launched the James Webb Space Telescope, a remarkable remote observatory that will travel 1.5 million kilometers, about 3.9 times the distance to the moon, before it parks itself in a Lagrange point—a kind of neutral zone in the tug-of-war between the sun’s gravitational pull and Earth’s gravitational pull.  There it will unfurl its highly polished mirrors made of gold-plated beryllium, and begin to stare deep into space—deeper than we have ever seen before with any other instrument.  As it peers into the depths of space it will also be looking back in time because the light it sees was generated billions of years ago.  It will be able to see celestial events that happened before the earth was formed.

The astrophysicists, astronomers, and engineers who designed and programmed the Webb Space Telescope have given it four primary missions:

  • to search for light from the first stars and galaxies that were formed in the universe after the Big Bang;
  • to study the formation and evolution of galaxies;
  • to study the formation of stars and planetary systems;
  • to study other planetary systems to see if they can tell us anything about the origins of life.

The writer of the Gospel of John didn’t have a telescope, but in a poetic way John did have a clear view of the beginning of all things.  In the beginning was the logos he said.  The Word.  The Blueprint.  The Narrative.  The Story.  The Content.  The logos was with God.  The logos was God.  All things came into being through the logos, and not one thing that came into existence came into existence except through the logos.  

Here in the prologue of John’s gospel, the logos is another term for Christ.  John is telling us about the Cosmic Christ who existed before all things, who is present in, with and under all things because all things came into being through the Christ.  Christ, the logos, is that aspect of the Divine Presence where Spirit intersects with matter.  Christ is in those distant stars and galaxies that the Webb telescope will show us.  Christ is in the giant nebulae and dust pillars that Hubble has shown us, those columns of interstellar dust and gas where stars are born.  Christ is in the quasars and pulsars, the black holes and gravitational waves and dark matter.

But Christ, the logos, is not just in the macrocosm. Christ is also in the microcosm.  Christ is in the strings of string theory.  Christ is in the strange interactions of quantum mechanics where quite literally anything and everything is a possibility.  Christ is in the anomalies of quantum flux. 

The writer of John goes on to tell us that Christ was not only in the inorganic dance of chemistry and physics, but that through the logos, through Christ, life came into being. Through Christ nitrogen and hydrogen and carbon and oxygen came together to form amino acids.  Through Christ amino acids formed long chain proteins which then formed protein blocks which then evolved into single-celled organisms.  Through Christ single-celled organisms bonded to form symbiotic colonies which then evolved to become multi-celled organisms.  Through Christ life began to take on more and more diverse forms.  Plants, ants, beetles, fish, mice, dinosaurs, cats and dogs, monkeys, apes, humans.  

John tells us that Christ was the origin of life.  In the logos was life, and that life is the light of all humanity.  I suspect that’s because humanity not only lives life, but we also seek to understand it.  

In an age when we have figured out so much about the essential structure of things in physics and the intricate functions of things in biology, an age when we have delved deep into the geology of our own world and have begun to poke into crust of other planets, it’s tempting to think we can explain esoteric things like existence without God in the equation.  But one of the beauties of real science is that the more we learn, the more we realize there is so much more that we don’t know.  Those who dive deepest soon realize there is no bottom, no stopping point, because they have thrown themselves into the mystery of existence.  As Werner Heisenberg said, “The first gulp from the glass of natural sciences will turn you into an atheist, but at the bottom of the glass God is waiting for you.” 

The word Christ, Christos, means anointed.  John is telling us that through the logos,through Christ, all of creation is anointed with, infused with the presence of God.  As Saint Paul said, God is never far from us because “in him we live and move and have our being.”[1]  Saint Patrick understood this intimate and inescapable presence of Christ when he prayed: 

“Christ with me, Christ before me, 

Christ behind me, Christ in me, 

Christ beneath me, Christ above me, 
Christ on my right, Christ on my left, 
Christ when I lie down, Christ when I sit down, 
Christ in the heart of everyone who thinks of me, 
Christ in the mouth of everyone who speaks of me, 
Christ in the eye that sees me, 
Christ in the ear that hears me.”[2] 

Then entire physical universe is where God hides…but it’s also where God is revealed.  God is not “up there” somewhere—well, not only “up there”—God is right here.  Christ is in you.  Christ is in me.  That is what Jesus, the Christ is all about.  Jesus came to show us that God is with us.  In us. Working through us.  “We spend so much time trying to get “up there,” says Richard Rohr, “we miss that God’s big leap in Jesus was to come “down here.” So much of our worship and religious effort is the spiritual equivalent of trying to go up what has become the down escalator.”[3]

Once we really accept the idea that through Christ God is present in all of creation, the world becomes “home, safe, enchanted, offering grace to any who look deeply.”[4]  The Webb Space Telescope will be looking deeply. It may even be able to see as far as the dawn of creation. There’s no telling what we will learn.  But whatever it shows us, it will simply be telling us more about Christ, in whom we live and move and have our being.


[1] Acts 17:28

[2] Prayer of St. Patrick, 5th century

[3] Richard Rohr, The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe

[4] Ibid. 

Hesitant to Enter the Endless Understanding

“Remember, mystery isn’t something that you cannot understand—it is something that you can endlessly understand! There is no point at which you can say, ‘I’ve got it.’ Always and forever, mystery gets you!” –Richard Rohr, The Divine Dance

I was at the Paul Simon farewell tour concert at the Hollywood Bowl a couple weeks ago, along with my family. Go ahead, take a moment to envy us. I’ll wait. I’ve been to some truly amazing concerts by some truly inspiring performers in my life, but this one topped them all. Really. That’s not just hyperbole. It’s true that his voice is not quite what it once was, though not at all bad for a 76 year old guy singing in such a wide variety of styles. But you don’t really think much about his vocal quality because he still has that astonishing and unique combination of intimacy and energy, humility and confidence that just draw you in to him and the music. Well, I could go on. And on and on. Because Paul Simon is in my not-at-all-humble opinion the very best songwriter and lyricist of my lifetime and I’ll be more than happy to defend that assertion if you’d like to quibble. But I digress.

Part of what made this concert so powerful was the amazing musicians who were performing with him on stage: Vincent Nguini, the impressive Nigerian guitarist; Mark Stewart, the astonishing multi-instrumentalist from New York; yMusic, the avant-garde string ensemble… the horns, the percussionists…I’m telling you, that was a killer band up there on the stage with him. And as they played together all the music of the decades of his life as a songwriter—his songs with South American roots, his songs with African roots, his songs that floated up out of the Louisiana bayou and cemeteries of New Orleans, and even a few of his old original 60s folkish songs, I couldn’t help but reflect on the decades of his musical journey, the path of his creativity, and how he had taken so many of us along for the ride with him.

I found myself remembering back to the first time I saw him in concert. It was November 15, 1969 at the Long Beach Arena. I confess, I had to look up the date, but I can close my eyes and still see and hear moments of that concert. It was Simon and Garfunkel, then and they were near the apex of their popularity as a duo. For the first two thirds of the evening they sang all the popular songs we all knew and loved from the albums we all already owned. Paul played guitar. I think a pianist and a couple of string players accompanied them on a few songs. Then Paul said they would like to introduce some new songs from their new album that was about to be released. With that a drum kit, a bass amp and a couple of electric guitar amps were rolled onto the stage along with some other percussion instruments, and an assortment of new musicians stepped up and plugged in to this new group of instruments. This did not look like Simon and Garfunkel folkish music. This looked like Rock. And some people started to boo.

Hard to believe, but more than a few people started to boo. I thought of that as I watched Paul Simon perform all these decades later accompanied by two electric guitars, a bass, a full horn section, an accordion, a zydeco organ, a very full percussion section including two large drum kits—I thought of those people who booed all those years ago and wondered if any of them were with us on this night to celebrate where the journey of music had taken him. I wondered if they regretted booing him in 1969. I wondered if they even remembered.

On that night in 1969, when the people booed, he simply smiled and said, “Now, now, give it a chance. I think you’ll like it.” And then they played Cecilia. And then El Condor Pasa. Then Keep the Customer Satisfied, and Baby Driver… and when they played Bridge Over Troubled Water there wasn’t a dry eye in the arena. And from then on they could do no wrong.  And I think we began to get an inkling that their music, his music, was going to take us in a new direction.  And behold, it was good.

NEW YORK, NY – JANUARY 20: Paul Simon performs onstage during The Nearness Of You Benefit Concert at Frederick P. Rose Hall, Jazz at Lincoln Center on January 20, 2015 in New York City. (Photo by Ilya S. Savenok/Getty Images)

When we love the old familiar songs so dearly it is sometimes hard to allow room in our hearts and minds for the new songs. Mary Chapin Carpenter once quipped at a concert that she wanted to break some songs out of “new song jail.” I think this same dynamic can apply to our theological thinking. Sometimes we’re reluctant to hear the melodies of our beliefs rearranged and played by different instrumentation, to different rhythms. We’ve lived so long with words like “grace,” and “atonement,” and “Trinity,” and “Incarnation,” and even “Creation” that they can sometimes trigger within us a neuro-theological version of Name That Tune. Just hearing the word activates a mental shortcut to an old recording of a belief structure and it’s enough to know it’s there even if we haven’t actually payed any attention to it in ages. And yet, if we dare to listen what some unexpected voices are singing on these themes, we might hear the ancient songs come alive and dance in a whole new way that reinvigorates our faith and our lives. And if you don’t like the new arrangements…well the old cantatas will still always be there.

“Music is forever; music should grow and mature with you, following you right on up until you die.” –Paul Simon

The same can be said for theology.